Konferencija

Međunarodna konferencija „Muzički identiteti i evropska perspektiva: interdisciplinarni pristup“, koju organizuje Katedra za muzikologiju Fakulteta muzičke umetnosti Univerziteta umetnosti u Beogradu, posvećena je temi interkulturnog dijaloga između evropske i srpske muzičke kulture i istorije. Konferencija je otvorena za naučnike iz oblasti humanističkih nauka, muzikologije i interdisciplinarnih studija i za njihov energičan dijalog sa razmenom mišljenja o temama koje se odnose na muzičke identitete i evropsku perspektivu.

Međunarodna konferencija „Muzički identiteti i evropska perspektiva: interdisciplinarni pristup“ rezultiraće kolektivnom monografijom o dijalogu srpske i evropske muzičke istorije, koja će biti publikovana na engleskom jeziku.

plakat - Mone

 

Preuzmite Program konferencije

Preuzmite Knjižicu apstrakata

Conference Programme

International Conference of the Department of Musicology
Faculty of Music, University of Arts in Belgrade

MUSICAL IDENTITIES AND EUROPEAN PERSPECTIVE:
AN INTERDISCIPLINARY APPROACH

ERASMUS + Jean Monnet Module
Wednesday, October 12, Faculty of Music, Great Hall (Kralja Milana 50)

10.00-10.15 Joint conference opening and welcome

Zoran Erić, Rector of the University of Arts in Belgrade
Ivana Perković, Vice Dean for Research and International Relations, Faculty of Music

For the “Transpositions: Music/Image” conference please click on the link  https://belgradeconference2016.wordpress.com/

10.15-11.00
Keynote lecture – Franco Fabbri
Influence, Imitation, and the Reshaping of Identities in European Popular music

11.00-12.30 SESSION 1
Chair: Rūta Stanevičiūtė

Mirjana Veselinović-Hofman
The Facets of the Decline of Avant-Garde Exclusivity as the Cause of Specific Stylistic Connotations of the Musical Avant-Garde Today

Marija Masnikosa
Types of Transtextuality in the Selected Works of Serbian Musical Postmodernism

Lina Navickaitė-Martinelli
Defining Identity: In Quest of ‘Lithuanianness’ in Piano Performance Art

12.30-13.00 Coffee break

13.00-14.30: SESSION 2
Chair: Paulo F. de Castro

Tijana Popović Mlađenović
The Musical Text and the Ontology of the Musical Work

Malgorzata Janicka-Slysz
Karol Szymanowski and his Concept of Polish Music. Contexts and Resonance

Dragana Stojanović-Novičić
A Short Correspondence Between Edgard Varèse and John Cage: Around, About and Above the Organized Sound

14.30-16.00 Lunch break

16.00-17.30: SESSION 3
Chair: Franco Fabbri

Vesna Mikić
Rock me Lane moje – European Identifications of Transitory Yugoslav/West Balkans’ Identities at the Eurovision Song Contest

Saskia Jaszoltowski
Memory, Spectacle, and the Image of Songs

Kaire Maimets
The Estonian Singing Revolution: Musematic Insights

17.30-18.00 Coffee break

18.00-19.30: SESSION 4
Chair: Mirjana Veselinović-Hofman

Rūta Stanevičiūtė
The Velvet Curtain. European Identities and Lithuanian Musical Imagination in the Post-Communist Era

Paulo F. de Castro
Portugal From ‘Good Other’ to ‘Ideal Self’: Images of Russian Otherness in France and the Iberian Peninsula at the Turn of the 20th Century

Ivana Perković  
Ambiguity, Mimicry and War: Alla Turca in Contredanse K 535 by Wolfgang Amadeus Mozart

20.30 Cocktail & Dance Workshop
FMU LOGO
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LOGO MK

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