Mirjana Veselinović-Hofman:
European Music in the Relationships among its Avant-Garde Identities: Preconditions, Accomplishments, Intersections
Sonja Marinković:
Slavic Opera in the 19th- and 20th-Century Music
Vesna Mikić:
“Insieme – Unite, unite Europe!” – Introduction to the Eurovision Song Contest Studies
Ivana Perković:
Converging European Musical Identities: “Unity in Diversity“
Tijana Popović Mladjenović:
Crossroads of European Cultural History 1 and 2
Marija Masnikosa:
Applied Musical Semiotics: Traces of European Musical Postmodernism in Serbian Postmodern Music
Dragana Stojanović-Novičić:
European Composers of the Twentieth and Twenty-First Centuries: Correlations between Biographical Spots and Compositional Strategies
Dragana Jeremić-Molnar:
19th-Century Opera and Revolution in European Context
